Lynne Allen Resume


 
Email: lynneallenstudio_AT_gmail.com
   

Solo Exhibitions:

2011
POP Gallery, Queensland College of Art, Griffith University, Brisbane, Australia.
2010
James Michener Museum of Art, Doylestown, Pa. “Nature Morte" Solo exhibition in conjunction with Philagrafika 2010, Philadelphia, PA.
2007
Martha Street Studio "Shortcut to Heaven" exhibition in 2007
2006
"Truth is like a Slippery Fish," Society of Northern Alberta-Print Artists, Edmonton, Canada.
2003
"Excuse me While I Disappear," The Plains Art Museum, Fargo, North Dakota.
"Excuse me While I Disappear," Framingham Art Museum, Framingham State College, Framingham, MA.
"Prints by Lynne Allen,"The Frans Masereel Center, Kasterlee, Belgium.
2000
"Knowing/Not Knowing", Hunterdon Museum of Art, Clinton, New Jersey.
"Award Exhibition," Grafikens Hus, Mariefred, Sweden.
"Lynne Allen," Interchurch Center, New York, New York.
1994
"Other People's Diaries," Susan Teller Gallery, New York, New York.
Selected Group Exhibitions:
2017 The IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, NM, "Weaving Past intoPresent, traveling IPCNY exhibition, January-April, 2017.
“Train of Ink,” SGC International Printmaking Conference, Atlanta, Georgia. March
American Culture Center, Shanghai, China, University of Shanghai, “Works by Lynne Allen,” May
6th Guanlan International Print Biennial, Gualan, China. Juried
Atlanta Print Biennial 2017, Kai Lin Art, Atlanta, Georgia (juried)
2016 8th International Printmaking Biennial of Duoro, Invitational, Duoro, Portugal.
Meredith College, “Pull,” Invitational print exhibition, North Carolina.

“Wondrous Transformation and Peculiar Nourishment: Celebrating the Engravings of Maria Sibylla Merian” Invitational, Portland State University,Southern Graphics International Printmaking Conference, March-April 2016

2015 International Print Center New York,“Weaving Past into Present: Contemporary Native American Printmaking, New York, NY, September-November
Tobinodai Historic Site Park Museum, Funabashi City, Japan, “Octopus Dreams,” group exhibition.

 

McClung Museum of Natural History and Culture, “Drawn from the McClung Museum,” Knoxville, TN. invitational. April.

Dog Head Stew Invitational, a take on the story from The Way: An Anthology of American Indian Literature, by Shirley Hill Will, University of Tennessee, Knoxville, TN. March.

7th Duoro Biennial 2014, Duoro, Portugal. Juried Exhibition

2014

Adelphi University, Garden City, NY, “Ephemeral: Unraveling History,” curated by Carson Fox.

Academy of Fine Arts, Warsaw, “IMPRINT,” invitational with the subject Illuminations

Special Collections, "Hidden Room in the House : Printmakers & the Art of Sublimation," Thomas G. Carpenter Library, University of North Florida, Jacksonville FL

  Nesto Gallery at Milton Academy, Milton, MA, “Contemporary New England Printmakers”
Dowd Fine Arts Gallery, SUNY, College at Cortland, New York, “Photogravure.”
Tweed Museum of Art, Duluth, Mn, “Blood Memoirs: exploring individuality, memory and culture through portraiture.” Curated by Amber-Dawn Bear Robe. Sept-March.
“Deception and Sacrifice: The Lion, the Bear and the Fox,” printmakers from Ireland and the USA respond to the theme of conflict and deceit, San Francisco, CA and Cork, Ireland.
“How do we get there from here?” Southern Graphics International Print conference, San Francisco, CA
2013-14 -“Re-Riding History: From the Southern Plains to the Matanzas Bay,” Invitational Traveling print exhibition to Oklahoma, Missouri, Indiana, Kentucky, Tennessee, Georgia and Florida.
2013 Weingart Center for the Arts, Occidental College, CA, “Rethinking the Multiple: Matrix Alteration and Change,” group exhibition with Phyllis McGibbon, Paul Mullowney, Fred Hagstrom, October.
  International Print Center New York (ICPNY) NY, New Prints/New Narratives: Summer 2013, selected by Andrew Raftery, June 13-August 9, 2013.

 

Tomsk Art Museum, Irkutsk, Russia, “Octopus Dreams,” traveling to Togliatti Art Museum and Samara Art Museum, Russia, through August, 2013.

Milwaukee Institute of Art and Design, SGC: MKE, “"The Hidden Room in the House" Printmakers and the Art of Sublimation,” March.

4th Guanlan International Print Biennial 2013, Guanlan, China.

2012 Fifth Beijing International Art Biennale 2012, The National Museum of China, Beijing, China.
Society of Northern Alberta Print-Artists Gallery, “The Anniversary Exhibition.”
-Ekaterinberg Museum of Fine Art, Ekaterinberg, Russia, “Native American Artist’s Prints,” traveling   to the Nosibirsk Print Biennial, Novosibirsk, Russia.
Guanlan International Intaglio Exhibition Guanlan, China, traveling to Shanghai and Beijing.
SGCI Portfolio Exhibition, “Moral Compass,” New Orleans, LA.
New Jersey Printmaking Center, two person exhibition, Somerville, NJ.
6th Duoro Biennial 2012, Duoro, Portugal. Juried Exhibition.
Morlan Gallery, Translyvania University, “Moral Compass” as part of LEXARTS, Lexington, KY.
2011
-Pyro Gallery, “Spot,” Louisville, KY. March-April. Invitational, traveling to Corcoran College of Art, Washington, D.C.
Long Beach Island Foundation, “Couples,” Long Beach Island, NJ. May-September. Invitational.
Sheldon Museum of Art, University of Nebraska, “Sheldon Statewide,” opens at the Sheldon and travels throughout Nebraska.
Boise Art Museum, Boise, Idaho, “The Perfect Fit,” April-July.
2010
Tria Gallery, New York, NY, "Interior Perspectives," three person, June-July
  The Morgan Conservatory, Cleveland, Ohio, “Premiering Print Portfolios.” July
  Ink Shop Printmaking Center & Olive Branch Press, "Natural History; Critical Condition," Ithaca, NY
  Printmaking Council of New Jersey, "Myths & Marks: Archetypes throughout the Ages,", juror Sally Spofford, Branchburg, NJ.
  Litografiska Verkstaden, Tidaholm, Sweden; “Lithography Symposium Exhibition.”
  Wellington Gray Gallery, East Carolina University, "A Survey of Contemporary Prints," Greenville, NC
  College of Staten Island/CUNY, “Wording the Image/Imaging the Word: The Prints of Pat Steir, Jaune Quick-to-See Smith, Lynne Allen, and Leslie Dill, Sept., traveling to Boston University
  Southern Graphics International Print Exhibition, Philadelphia, Pa. “Hidden Agendas/Embedded Signatures,’ March
  Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ, “Traditional Traces in Native American Art,” April
  The Nicolaysen Museum, Casper, Wyoming, ‘The Perfect Fit,’ September
The Morgan Conservatory, Cleveland, Ohio, “Premiering Print Portfolios.”
  Ink Shop Printmaking Center & Olive Branch Press, "Natural History; Critical Condition," Ithaca, NY.
  Printmaking Council of New Jersey, "Myths & Marks: Archetypes throughout the Ages,", juror Sally Spofford, Branchburg, NJ.
  Wellington Gray Gallery, East Carolina University, "A Survey of Contemporary Prints," Greenville, NC.
  Tria Gallery, New York, NY, "Interior Perspectives," three person, June-July
Gallery of the College of Staten Island/CUNY, "Wording the Image: Pat Steir, Jaune Quick-to-see-Smith, Lynne Allen and Lesley Dill.
  Southern Graphics International Print Exhibition, Philadelphia, Pa. “Hidden Agendas/EmbeddedSignatures,’ March.
  Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ, “Traditional Traces in Native American Art,” April.
  The Nicolaysen Museum, Casper, Wyoming, ‘The Perfect Fit,’ September.
2009
MATRIX/Printmaking 2009, Museum of Fine Arts, Florida State University. Invitational. October.
‘White Elephant," invitational portfolio, Columbia College, Chicago, traveling to Alfred University New York, University of Wisconsin at Madison), The University of Louisiana at Lafayette and at Millsaps College,Jackson, Mississippi
Chicago International Collaborative Exchange, invitational, "Global Implications" Southern Graphics International Conference, Chicago, Illinois.
2008
“Dangerous Women,” Group Invitational, Adelphia University, Long Island, NY. Sept.-Oct.
Edmonton Print International, Invitational, SNAP Gallery, Edmonton, Alberta, Canada. Sept.-Nov.
Chautauqua Institution, “The 51st Chautauqua National Exhibition of American Art," Curated by Rachel Vancelette, Director of the Barbara Gladstone Gallery, New York. June-July.
Denver Museum of Art, “Varied Voices,” Modern and Contemporary Gallery, April.
Virginia Commonwealth University, “Zo Bao”, group exhibition SGC, March.
2007
National Library, Gallery 6, Tallinn, Estonia. October. Invitational group exhibition.
  Adamson-Eric Museum (Art Museum of Tallinn), “Slices of Time”, Tallinn, Estonia. Invitational.
  Novosibirsk Print Biennial, Novosibirsk, Russia. May-September.
Faculty Exhibition, Boston University, Boston, MA. November-January, 2008
  IMPACT Conference, Tallinn, Estonia. Exhibition in connection with 'Slices of Time" at the National Library. October, 2007.
"Varied Voices: A Collection of Prints by Known American Printmakers," University of North Florida, Jacksonville, Florida. January, to travel to France and New Zealand.

"Stone/Plate/Grease/Water," Museum of Modern Art for Wales, Machynlleth, Wales, UK. March.

  North American Print Biennial, Boston Printmakers,Boston, MA. Curator: Judy Hecker, Museum of Modern Art, NY
China Sanbao International Printmaking Exhibition, hosted by Jingdezhen Sanbao Ceramic Art Institute; Shanghai University College of Fine Art, and the China Academy of Fine Art, Hanzhou, China.
2006
"Unstitched, Unbound: Imprints for Change,"Nathan Cummings Foundation, New York.
"Re-interpreting the Middle East," International Center of Bethlehem (West Bank), traveling to the Khalil Sakikini Center, Ramallah, Palestine, Israel.
2005
"Prints USA," Springfield Art Museum, Missouri, Purchase Award.
"Re- interpreting the Middle East: Beyond the Historical Stereotype," Corcoran College of Art and Design, Washington, D.C
"Domestic Policy," District Fine Arts Gallery, Washington DC.
Henry Ford College, Sisson Gallery, Dearborn, Michigan. September-October.
"Re-interpreting the Middle East," Olfili Gallery, Amman, Jordan, August.
"Four Visions: Transcultural New Jersey," Bergen Museum of Art and Science,
13th Tallinn Print Triennial, Tallinn, Estonia.
"The New Hybrid: Hand Pulled Digital Prints." Long Island University, New York.
"Cultural Landscapes: An Artist Print Exchange between Northern Ireland and Native American Artists," University of Nebraska Art Gallery, Omaha.
Galerie Fochem, Krefeld, Germany, the TIME project. Invitational. March
'Women's Work', University of Southern Mississippi Art Museum, Hattiesburg, MS.
2003
"New Editions; Prints for an American Museum," Whitney Museum of American Art, New York, NY, Ames Family Gallery.
Institute of American Indian Arts Museum, Santa Fe, New Mexico.
"Dog Head Stew."Paul Mesaros Gallery, West Virginia University, Morgantown, WV.
"100 New Jersey Artists make Prints," The Morris Museum, Morristown, NJ.
" Women in Print ", Alexander Hogue Gallery at the University of Tulsa, OK.
Prints', Hanes Gallery, University of North Carolina-Chapel Hill, N.C.
6th Triennae Mondiale d'Estampes Petit Format 2003, Chamalieres, France.
2002
"Face to Face," Painted Bride, Philadelphia, Pa.
"On Paper," Memphis College of Art Galleries, Memphis, TN. September, catalog.
Il Quadrato di Omega Gallery, Rome, Italy, print invitational.
"From the Ivory Tower," Fleischer Memorial Galleries, Philadelphia, PA. Three person.
Third International Lithography Symposium, Tidaholm, Sweden.
2001
Digital Now (Print National), Brooklyn Museum of Art, Brooklyn, New York.
"The Hourglass Project," UNISA Art Gallery, Pretoria, South Africa.
"The Third Minnesota National Print Biennial," Weisman Art Museum, Minneapolis, Mn. Purchase Prize.
"Prints by Lynne Allen," The Frans Masereel Center, Kasterlee, Belgium, August.
"Art and the Printing Press: 2nd International Small Engraving Exhibition-Cremona 2001," Amici Dell'arte-Famiglia artistica, Civic Museum, Cremona, Italy.
Boston Printmakers 2001 North American Print Exhibition, Boston, MA. February. Purchase Prize.
Saints and Sinners," Cortona, Italy, Girifalco Fortress, "in conjunction with the Cortona International Print Symposium: A Print Odyssey.
12th Tallinn Print Triennial, Tallinn, Estonia. September. Diploma Award.
"Native Voices," Columbia University Art Gallery, New York.
"Li'l Heads", Robert L. Ringle Gallery, Purdue University, West Lafayette, IN.
2000
"A Woman's Millennium Project", Hourglass Project, The Lowe Gallery, Atlanta, GA.
13th Parkside National Small Print Exhibition, Kenosha, WI catalog
Clemson National Print and Drawing Exhibition, Clemson, S.
"Visiting Artists Exhibition," Kiehl Gallery, St. Cloud State University, MN.
"The Print: Image and Process," Hilles Gallery, New Haven, CT.
"Printed Identity,'" American Swedish Historical Museum, Philadelphia, Pa.
"Works on Paper Series II," Tweed Museum of Art, Duluth, MN.
"Highlights from the Collection: Recent Acquisitions," Tweed Museum of Art, Duluth, MN.
"Sixty Square Inches," Purdue University Galleries, West Lafayette, Indiana.
"Prints USA," Springfield Museum of Art, Springfield, Missouri.
Selected Public Collections:
 

McClung Museum of Natural History and Culture, Knoxville, TN.

Whitney Museum of American Art, New York, New York.
Library of Congress, Washington, D.C.
Museum of Modern Art Library, New York, New York.
The New York Public Library, New York, New York.
Victoria and Albert Museum, London, England.
Corcoran Museum of Art, Washington, D.C.
Minneapolis Museum of Art.
Johnson & Johnson Corporate Collection.
The Noyes Museum, Oceanville, New Jersey.
The Newark Public Library, Newark, New Jersey.
Frans Masereel Center, Kasterlee, Belgium.
Vasteros Kunst Museum, Vasteros, Sweden.
Ukraine Museum of Contemporary Art, Ivano-Frankovsk.
Ministry of Culture, Moscow, Russia.
Springfield Museum of Art, Springfield, Missouri.
Hillidensfolkhogskole, Tidaholm, Sweden.
Macedonian Culture Ministry, Macedonia.
University of New Mexico Art Museum.
University of Virginia Special Book Collection, McGehee-Lindemann Collection.
Art Complex Museum, Duxbury, Massachusetts.
  Sovereign Sontander Bank
  Västra Götaland Municipality, Sweden
  Plains Art Museum, Fargo, N.D.
Grants, Awards, Artist Residencies

2010-13

Concordia University, Montreal, Canada, “The Aesthetics of the Digital Matrix and e-Publishing”

2012

Wall of Fame, Nazareth Area High School.

  Atelier Graff, Montreal, Canada. One week residency November
Guanlan Artist-in Residency program, Guanlan, China. May.
Fine Arts Work Center, Provincetown, MA. One week monotype workshop. July.
2011
Queensland College of Art, Griffith University, Brisbane, Australia. Visiting Professor/Artist.
Fine Arts Work Center, Providence, MA. One week monotype workshop. July
Concordia University, Montreal, Canada, “The Aesthetics of the Digital Matrix and e-Publishing.”
2008
Anderson Ranch, Aspen, Colorado. One week artist residency/workshop. July.
2007
Marion and Jasper Whiting Fellowship
2006
Martha Street Studio, Winnipeg, Canada. one month artist residency.
Virginia Center for the Creative Arts, one month artist residency.
2005
Anderson Ranch, Aspen, Colorado. One week artist residency/workshop. July.
2004
Virginia Center for the Creative Arts. Four week residency.
Fulbright Scholarship, University of Jordan, Amman, Jordan. Academic year appointment.
Pennsylvania Council on the Arts/Mid Atlantic Arts Foundation Award, Works on Paper.
2003
Leeway Foundation, Window of Opportunity Grant.
2002
Jordan National Museum of Art, Amman, Jordan. Three week teaching residency, sponsored in part by the American Embassy, Jordan/Department of State. July.
Visiting Artist, East Jerusalem and Ramallah, sponsored by the American Consulate Jerusalem/Department of State. July/August.
Caversham Center, Kwa Zulu Natal, South Africa. One week artist residency. September.
Virginia Center for the Creative Arts. Four week residency.
The Plains Art Museum Printmaking Residency, Fargo, North Dakota. 5 weeks.
Anderson Ranch, Aspen, Colorado, Three week visiting artist residency.
2001
Department of State/Cultural Programs, Jordan National Museum of Art, Amman, Jordan. Three week residency and workshop, July.
Finalist, Pew Fellowships in the Arts, Philadelphia, PA.
Ture Bengtze Memorial Prize, Boston Printmakers, Boston, MA. Purchase Prize
Frans Masereel Center, Kasterlee, Belgium. Two week residency.
Minnesota National Print Biennial, Minneapolis, MN. Purchase Prize, Minnesota Museum of American Art
Diploma, 12th Tallinn Print Triennial, Tallinn, Estonia.
2000
Caversham Press, Kwa Zulu Natal, South Africa. Lithography residency.
Grafikens Hus, Stockholm, Sweden. One week residency.
St. Cloud State University, St. Cloud, Mn. Visiting artist.
Purchase Award, Tweed Museum of Art, University of Minnesota at Duluth.
Board Member, Southern Graphics Council, three year term.
Board of Directors, Caversham Press Educational Trust, Kwa Zulu Natal, South Africa.-on going.
1999
Artist Residency, Grafikens Hus, Stockholm, Sweden. Eight week residency.
Caversham Press, Kwa Zulu Natal, South Africa. Three week residency.
Grafikens Hus, Mariefred, Sweden. County Government Board of Sodermanland Annual Award.
Purchase Award, "1999 North American Print Exhibition," Graphic Chemical Corp.
1998
Virginia Center for the Creative Arts, Sweet Briar, Virginia. February-March.
Frans Masareel Printmaking Center, Kasterlee, Belgium. Two weeks. March.
Andrew W. Mellon Foundation Research Grant.
Fulbright Scholarship Alternate, Lecture and Research in New Zealand, The Native American and Maori Connection.
1997
Frans Masareel Printmaking Center, Kasterlee, Belgium. Month residency, August.
Litografia Academie, Tidaholm, Sweden. Two week residency, February.
1996
Moscow Studio, Moscow, Russia. Three week residency for creative work in the art of waterbase silkscreen.
1995
Moscow Studio, Moscow, Russia, One month residency for creative work. July.
Grafiska Verkstaden, Tidaholm, Sweden, Three week residency, August.
Board of Trustees Research Fellowship Award, Rutgers University, for recognition of scholarship
1994
European Symposium, Tidaholm, Sweden, Two week residency.
1993
Art Academy of Slovenia and the International Graphics Center, Ljubljana, Slovenia, two week residency.
Two month residency, House of Art 'Senej', Moscow, Russia.
Hillidensfolkhogskole, Tidaholm, Sweden, Two week residency in lithography.
Concordia College, Montreal, Canada, Visiting artist, week long residency.
1991
Alberta College of Art, Calgary, Alberta. Visiting artist, week long residency.
Montpelier Cultural Art Center, Laurel, Maryland. National visiting artist residency.
Summer Institute in Honor of Printing, Residency, Pyramid Atlantic, Frederick, MD.
Atlantic Center, New Symrna Beach, Florida, Resident Associate.
Hillidensfolkhogskole (college level art school), Tidaholm, Sweden. Visiting Artist.
1990
Fulbright Scholarship, Lecture grant to the Sorikov Art Institute, Moscow, Russia, for spring semester. First Visual Artist selected for the Fulbright Program to the former Soviet Union.
Selected Invited Lecture/Panels/Symposia
2017 American Culture Center, Shanghai, Artist Talk, University of Shanghai for Science and Technology
2016 Mentor workshop, Southern Graphics International Printmaking Council, Portland, Oregon March
Alliance for the Arts in Research Universities National Conference, "Placing Art Where Life Is", Panel Moderator on Art in Healthcare, Denver, CO
Host 6th TransCultural Exchange (TCE) Conference, International Opportunities in the Arts, February 25-27, Boston University
  Mentor workshop, Southern Graphics International Printmaking Council, March.
Innovation panel, Chestnut Hill Arts Commission at the Street, May.
2015 New York Academy of Art, Senior Critic. November.
Panel Discussion, International Print Center New York, “Weaving Past into Present: Contemporary Native AmericanPrintmaking.”
Boston Club, Moderator, “Creativity and Risk Taking,” Woman’s forum.

2014

Adelphi University, panel discussion, “Ephemeral: Unraveling History” moderated by Carson Fox.

Maryland Institute College of Art, Invited Critic, December 9

SUNY Cortland, Visiting Artist talk. April 22

College Art Association, “Ignite talks,” panel on Arts Leadership

2013

IMPACT 8, International Print Conference, Dundee, Scotland, Chair, “Print as Protest,” August

TransCultural Exchange Conference, Boston University, Chair, “Grant Writing Workshop,”

National Council of Arts Administrators Conference

2012
State University of New York at Plattsburgh, New York, visiting artist, March.
  Concordia University, Montreal, Canada. Visiting Artist lecture
Wellesley College, Wellesley, MA, “French and American Lithography: History and Practice”
Guanlan International Intaglio Exhibition, “American Intaglio Tradition”
Fine Arts Work Center Lecture,”Lynne Allen,” Provincetown, MA.
2011
Queensland College of Art, Griffiths University, Brisbane, Australia. Artist lecture.
Fine Arts Work Center, Provincetown, MA, lecture, July 5.
University of Tennessee, Knoxville, Tn. Visiting Artist, April 11-15, 2011
  Clemson University, Clemson, SC, visiting artist February 21-23
2008
Adelphi University, Visiting Artist Lecture, "Lets be Frank", October 2
2007
China Sanbao International Printmaking Symposium, Jingdezhen Sanbao Ceramic Art Institute, China.
2006
Department of Art and Design at the University of Alberta, Visiting Artist lecture.
College Art Association Conference, Boston, MA. Chair. "Contemporary Native American artists of the Northwest."
5th Lithography Symposium, Tidaholm, Sweden. Invited Panel Debate.
Society of Northern Alberta-Print Artists, Edmonton, Canada.
New Jersey Center for the Book Symposium, Rutgers Libraries, New Brunswick, NJ.
2005
Pennsylvania Academy of the Arts, Philadelphia, PA., panel participant "Unions of Printmaking and Sculpture," AICAD Academic Symposium.
International Lithographic Conference, Munich, Germany.
2004
University of Jordan, Amman, Jordan. Contemporary Art from the West.
2003
Artist Lecture, SUNY-New Paltz, NY.
Artist Lecture, American Consulate, Jerusalem, Israel.
IMPACT Conference, Michaelis School of Art, University of Cape Town, South Africa, panel chair "Carte Blanche: The impact of corporate print collections on the construction of culture."
Hanes Art Gallery, University of North Carolina-Chapel Hill, Visiting Artist.
2002
Gallery of South Orange, "Resisting Categories; Prints," Gallery talk.
The Plains Art Museum, Fargo, North Dakota, 'Artist talk,' July 29th.
Arkansas State University, University City, Arkansas, 'Lynne Allen.'
NJ Issues of Diversity Conference, Trenton, NJ, 'Native Artists in New Jersey.'
Standards for Success, University of Oregon, Evaluation Committee for Standards in Art Education.
2001
Prague, Czech Republic, "The Printed Image's Search for an Identity within its Boundaries."
Yarmouk University, Irbid, Jordan, "Printmaking into the 21st Century."
Jordan National Museum of Art, Amman, Jordan, "Native American Artists: Then and Now."
Cortona International Printmaking Symposium, Print Odyssey 2001, Cortona, Italy, chair panel "Collaboration in Transience."
College Art Association Annual Conference, Chicago, IL. Panel "Multiple Crossroads: Creativity and the Digit," co-chair with David Kiehl, Curator of Prints, Whitney Museum of American Art, New York.
Southern Graphics Council Annual Conference, Austin, Texas. Panel Chair, 'Global Kinship."
"Women Talk," Women and Their Work and Women Printmakers of Austin, Texas.
"Multiple Issues," Zimmerli Museum of Art, New Brunswick, NJ.
2000
Mid American Print Council Conference, St. Cloud, Minnesota. Panel participant 'Interdisciplinary Education.'
University of Minnesota at Deluth, Visiting Artist lecture series.
Boston University, Boston, MA. , Visiting Artist.
University of North Carolina at Charlotte, Visiting Artist.
   
Publications contributions by Lynne Allen
Orfali Gallery, Amman, Jordan, "Jehad Amiri: Graphic works," essay by Lynne Allen, 2006
4-Walls Gallery, Amman, Jordan, "Juman Nimri: Playful Prints," essay by Lynne Allen, 2006
Prints 2005, College of New Jersey, catalog essay.
Grapheion Magazine #18, Prague, Czech Republic. Article "Graphic Art in Jordan.' Spring 2006.
Samer Tabbaa, Sculptor, 4 Walls Gallery, Amman, Jordan, catalog essay. 2003
Journey's, Fulton County Arts Commission, Atlanta, GA., catalog essay. 2003
Resisting Categories Prints, The Gallery of South Orange, catalog essay, 2002, page 2.
Contemporary Impressions, Spring 2001, Vol. 9, Number 2, "Corporate Collecting (Giving)," published by the American Print Alliance, Georgia.
Universal Declaration of Human Rights, International Print Portfolio Catalogue, 1999, 'Printmaking and Creativity'' by Lynne Allen.
GRAPHEON, "International Print Symposiums," published Prague, Czech Republic, 1999.
Contemporary Impressions, spring 1999, Vol. 7, Number 2, "International Print Symposium in Celebration of 200 years of Lithography," published by The American Print Alliance, Georgia.
Art on Paper, May/June Issue 1999, "International Print Symposiums," published New York-Rider University Gallery, 'Carson Fox: Beauty Queens.' Catalog introduction by Lynne Allen.
The Best of Printmaking: An International Survey, co-juror for book published by Rockport Publishers, Rockport, MA., juried competition for inclusion in full color book on printmaking, published 1997.
Contemporary Impressions, fall 1996, Vol. 4 Number 5, "Prints into the 21st century: The Rutgers Center For Innovative Print and Paper," pp. 26-68, by Lynne Allen, published by The American Print Alliance, Washington, D.C.
21st Ljubljana Print Biennial Catalog, Essay on 'The State of Printmaking in the US,' 1995.
Contemporary Impressions, Fall 1994, Vol. II, Number 2, "Political Statements in Print," by Lynne Allen, published by The American Print Alliance, Washington, D.C.
Hot Off the Press: Prints and Politics, Serial Book, The Tamarind Papers, Volume 15, Chapter "The Skin the World: Leon Golub and Nancy Spero" by Lynne Allen, 1994.
The Tamarind Papers, A Journal of the Fine Print. Volume fourteen, 1991/92. "Information Exchange".
The Tamarind Papers, A Journal of the Fine Print. Volume eleven, 1988. "Aluminum Plate Lithography", a comprehensive state of the art manual.
Mexico Nueve: The Art of Collaboration. 1987. A book accompanying a traveling exhibit of lithographs by nine prominent Mexican artists. A joint venture between Tamarind Institute, the Latin American Institute and the Rockefeller Foundation.
The Tamarind Papers, A Journal of the Fine Print. Volume six: #2. "Research ."
The Tamarind Papers, A Journal of the Fine Print. Volume ten: #2. "Deletions on Photographic Plates."
The Tamarind Papers, A Journal of the Fine Print. Volume ten: #1. "Stones Crayons."
The Tamarind Papers, A Journal of the Fine Print. Volume nine: #2. "Technical Matters."
The Tamarind Papers, A Journal of the Fine Print. Volume nine: #1. "Alternative Drawing and Deletion Techniques."
Reviews/Books/Interviews/Catalogs
2017 www.santafenewmexican.com/pasatiempo/art/museum_shows
2016 Eclectic: The Julie and Robert Breckman Collections at the Victoria and Albert Museum, Published by the Victoria and Albert Museum
2015 WEAVING PAST INTO PRESENT Experiments in Contemporary Native American Printmaking, by Christopher Green, The Brooklyn Rail
2014 sites.google.com/site/artforhealthcarereform
  Ephemeral Panel
 

Ephemeral: Unraveling History

2013 Witness: a Húnkpapha historian's strong-heart song of the Lakotas, University of Nebraska Press, Josephine Waggoner, edited by Emily Levine, foreword by Lynne Allen
2012 Aspiracje, Journal of Warsaw School of Arts, pg. 54,”Lynne Allen”, Guanlan Printmaking Base, author Agnieszka Cieslinska.
  swissnexboston.org/activities/blog/international-art-residencies-a-panel-discussion
  nativeartinrussia.webs.com/
popgallery.com.au/
inkteraction.ning.com/profile/LynneAllen
2011 adrianeherman.typepad.com/
  SGC International Newsletter, 2011, “Busy Hands: Kiki Smith.”
www.qcagriffith.com/2011/09/lynne-allen-talk-and-exhibition/
2010 www.michenermuseum.org
  mofa.cvatd.fsu.edu/resources/archive/pages/learning/questions/sqsmatrix.pdf
www.bu.edu/research/aboutus/archive/magazine2010/snapshots/recollection-of-things-past/
www.nj.com/morristown/cse/index.ssf/2010/04/native_american_culture_focus.html
www.silive.com/westshore/index.ssf/2010/10/csi_art_show_open_to_public_ha.html
/www.silive.com/entertainment/arts/index.ssf/2010/10/pictures_write_stories_of_femi.html
Women’s Art Journal, Volume 31, Number 2, “Prints of Lynne Allen,” November, 2010
2009 blog.grdodge.org/tag/lynne-allen/
www.michenermuseum.org/press/?item=2009-12-08
2006 www.gallerieswest.ca/downloads/slideshows/224/slides/0/index.html
"PRINTS NOW: Directions and Definitions," Published by the Victoria & Albert Museum, UK.
"Papermaking for Printmakers", Published by ACBlack, London, UK.
Prints U.S.A. 2005, Springfield Art Museum, Springfield, MO. Catalog Page 6.
Washington City Paper, Washington, DC, "City Lights"; Domestic Policy.
2005
Ad-Dustour (Star Arabic Daily), Amman, Jordan. May 6, 2005. page 11. Interview.
2004
sunyprintmaking.blogspot.com/2008/04/lynne-allen-visits-suny-new-paltz.html
The Jordan Times, Amman, Jordan, "Professors Palettes," October 15, page 14, City Section.
Art on Paper Magazine, Review of Southern Graphics International Conference hosted by the Rutgers Center for Innovative Print and Paper, Director Lynne Allen and co-chair of the committee.
2003
The Forum, Fargo, North Dakota, review "New Works by Lynne Allen at the Plains Art Museum," May 22, Section B1.
  samertabbaa.com/Lynneallen.htm
2002
The Philadelphia Inquirer, review "Message from the Ivory Tower," December 6th, 2002, page 36.
Memphis College of Art, 'On Paper,' catalog.
The Painted Bride, "Face to Face," catalog.
Weisman Art Museum, 'The Third Minnesota National Print Biennial," catalog.
The New Jersey Star Ledger, review of "Resisting Categories," Gallery of South Orange.
2001
Tallinn 12th International Print Triennial, Diploma Award, catalog.
Digital Printmaking Now, catalog, Brooklyn Museum of Art, essay by Marilyn Kushner, page 11, 16, 24.
"Stone Lithography", by Paul Croft, Published by AC Black, London, UK.
The Jordan Times, Amman, Jordan, "Artist deals with dispossession of Sioux," July 8, page 2.
Al-Dostoor Newspaper, Amman, Jordan, "Artists Value the Establishment of the Jordan National Gallery Graphic Workshop," July 18.
Al Arab Al Yawm Newspaper, Amman, Jordan, "First Exhibition for the Jordan National Gallery Graphic Workshop by 23 Artists," July 19.
Al Rai Newspaper, Amman, Jordan, "The Outcome of the First Graphic Training Course at the Jordan National Gallery Graphic Workshop,' July 19.
Grapheion, Czech Republic, 'Mid America Print Council Conference-Visiting Artists,' Fall/Spring issue.
Boston Printmakers 2001 North American Print Exhibition, Boston, MA., catalog.
Brooklyn Museum of Art Members Bulletin, "Digital: Printmaking NOW," May-June, page 4. (photo)
2000
Eskilstuna-Kuriren, Mariefred, Sweden, 'Happy Girl with Dark Art,' January 22, 2000.
Folket, Stockholm, Sweden, January 24, 2000
Lanstidningen Sodertalje, Stockholm, Sweden, January 20, 2000.
Upsala Nya Tidning, Uppsala, Sweden, January 22, 2000.
Kulturens Varld, Solna, Sweden, February 8, 2000.
Tamarind: Forty Years, Book edited by Marjorie Devon, photo 42, pps. 43, 30, 137, 139-140.
Central PA Magazine, Spring 2000, On Sacred Ground: Commemorating Survival and Loss at the Carlisle Indian School, pgs. 32-43. Photo pg. 37.
Sixty Square Inches, Purdue University Galleries, Juried by Mark Pascale, Associate Curator of Prints and Drawings, The Art Institute of Chicago, 2000. catalog.
The New York Times, Sunday March 19,2000, Prints on View.
The New York Times, Sunday, March 26, 2000, Looking to future, printmakers show respect for past, Page `G2.
The New Haven Advocate, April 6, 2000, The Print: Image and Process.
Columbia University Record, March, 2000.
The Hourglass Project; A Woman's Vision, The Lowe Gallery, January 2000, Lynne Allen, pg. 10-11.
1999
The Sunday Star Ledger, June 20, 1999. 'Individual is stronger than group at Clinton print exhibition.'
Hunterdon Market Place, June 9, 1999, 'Printmaker's works on exhibit at Hunterdon Museum of Art.'
The Sandpaper, August 4, 1999, It's the Paperwork That's the Attraction in Innovative Show.'
Kultur/Njoe, August 12, 1999, 'Happy Girl with Dark Art.'
The University of Dallas 16th National Print Invitational, December 1999. catalog.
LadugardsNytt, Grafikens Hus, Mariefred, Sweden. 1999.
Art On Paper, Vol. 3, No. 5, 1999. 'South African Prints,' pg. 29.
11th Tallinn Print Triennial, September 1998. catalog.
The Sunday Times, Scotland, Guide to what's on and what's best in Scotland. October 25, 1998.
Society of Scottish Artists 104th Annual Exhibition, 'Transatlantic .Connections, '1999. catalog.
1998
The Star Ledger, December 6, 1998, 'Making a List and Checking it Twice.' photo pg. 4
The Journal of the Mid America Print Council, Volume 6, No. 1, 1998. 'Cover Story: June Wayne's Hoopers.'
Vastgota-Bladet, August 6, 1998. 'Course for Artists in lithography.'
Pittsburgh Post-Gazette, October 10, 1998. 'PCA printmakers show impresses with its variety.'
Ticket, October 15, 1998, 'Mixed impressions. A juried show of prints presents a healthy diversity.'
Alumni Spotlight, The University of New Mexico, College of Fine Arts.
1997
Hand Papermaking, Volume 12, Number 2, Winter 1997, RCIPP, A center for Collaborations , pg. 9-14.
Mirage, The University of New Mexico Alumni Association, fall 1997. '100 Alumni Faces.'
In Print: Contemporary Artists at the Vinalhaven Press, catalog. pg. 11, 80.
A! Magazine, March 1997. 'Exhibit a testimony to printmaking's vitality.'
Vastgota-Bladet, February 13, 1997. 'Graphic Professor from USA guest at Tidaholm Graphics Workshop.'
Skaraborgslan Alleleanda, February 2, 1997. 'Guest Professor."
1996
The Washington Post, December 10, 1996. 'Art: Prints of Peace.'
Thinking Print, The Museum of Modern Art, New York. Pgs. 13, 98,105, 154 (RCIPP), 1996.
Mary H. Dana Women Artists Series: 25 Years. 1996. catalog. pg. 8.
The Sunday Courier-News, September 22, 1996. 'Hunterdon Arts Center hosts pair of shows.'
The Express-Times, September 18, 1996, 'Three exhibits set to open at Hunterdon Art Center.'
Hunterdon County Democrat, September 26, 1996, '3 Artists Unite Hispanic Heritage, Contemporary Culture.'
1995
Kultuurileht, Tartu, Estonia, May 1995, pg. 8 'The Guest of Printmakers.'
Rutgers Focus, May 26, 1995, 'Faculty Awards,' pg. 6.
San Antonio Express-News, March 22, 1995, 'Exhibit puts spotlight on print artists.'
1994
Sixty Square Inches, Purdue University Galleries, March -May, 1994. pg. 18.
TV Goteborg, West News, Channel 2, interview with Lynne Allen for International Printmaking Symposium, Sweden. August.
Skaraborgslans Tidning, "Birgit Friggebo (Minister of Culture of Sweden) Opens Huge Lithographic Exhibition," August 6, Sweden.
Svenska Dagbladet (largest Swedish newspaper), "Tidaholm part of Lithographic Renaissance." August, 8, Sweden.
Skaraborgslans Tidning, "Birgit Friggebo (Swedish Culture Minister) invited to festival in Tidaholm: We Can Never Have Too Much Culture!" August 8, Sweden.
Dages Nyheter, "Debates at the 200 Year jubilee to Celebrate Lithography," August 8, Sweden.
Skaraborgslans Tidning, "International Symposium Inauguration: Graphic Workshop places Tidaholm on the World Map," August 8, Sweden.
Nyhetern, "200 Year Lithography Celebration and Exhibition," August 8, Sweden.
Vastgota Bladet, "Delegbates from the Whole World at Vulcan Symposium," August 9, Sweden.
Skaraborgslans TIdning, "City Match Factory also has Fine Lithographs," August 10, Sweden.
Crossing Over/Changing Places Newsletter, "The Art of Democracy/The Democracy of Art," pp. 1-2.
"Crossing Over/Changing Places," Szent Istvan Kiraly Museum, Szekesfehervar and Budapest, Hungary.
The Home News, "In the Print Zone," July 17.
Delaware State News, "Del State hosts 'Black and White' art exhibition," June 13.
The New York Times, Art Section, "Personal Visions of Heaven and Health," June 12.
Helsinki City Art Museum, "Crossing Over/Changing Places,' Contemporary American Print Projects and Paper works, catalog.
Grafiknytt, "Symposium in Tidaholm for 200 years of Lithography, " February, Sweden. -"60 Square Inches,' National Small Print Exhibition, Purdue University Gallery, catalog
1993
Art News, "Different Voices," Volume 92, Number 4, April, pp. 67-68.
New Jersey State Council Award Recipients, Stedman Art Gallery, Camden, NJ, catalog.
"6th Annual McNeese National Works on Paper," catalog.
New Jersey Women Artists," The New Jersey Project, catalog.
"44th North American Print Exhibition," Boston University Art Gallery, Boston, MA, catalog.
1992
"Five Years of the Rutgers Center for Innovative Printmaking," Bristol Meyers/Squibb, catalog. The New Jersey Project Invitational: A Celebration of Women Artists at New Jersey Colleges, catalog. pg. 13.
"1992 Davidson Exhibition," Elon College, NC, catalog.
"ARTimes, "The Rutgers Center for Innovative Printmaking," Billie Jo Hance.
1991
"National Works on Paper, " Juried Competition, University of Mississippi, catalog.
The Home News, "Rutgers Exhibit Not for the Squemish," Walters Hall Gallery, Douglass College, New Brunswick, NJ. July 21.
1990
-Dagens Nyheter, Kulture and Nojen, "European Print Symposium, Tidaholm, Sweden," June 18.
New Jersey Goodlife, "Printmaking: The State of the Art," March.
"Impressions: Original Prints from the Northeast," Creative Arts Workshop, New Haven, CT.
"Fourteenth Harper National Print and Drawing Exhibition," Harper College, Palatine, IL. catalog.
"National Print Exhibition," Clara Kott von Storch Gallery, Dexter, MI. review.
Editorship/Juror/ Curator
2012
Curator, 2012 Guanlan International Intaglio Exhibition Guanlan, China. USA selections.
2011
Juror, 2011 Clemson Print and Drawing Exhibition, Clemson, South Carolina
2010
Juror, Massachusetts College of Art and Design Printmaking awards
2009
Juror, BFA Now, an international arts organizations sponsoring events for graduate (MFA Now) and undergraduate (BFA Now) students enrolled in fine arts programs in North America, Europe, and Asia. http://www.bfanow.org
Juror, VI Novosibirsk International Biennial of Contemporary Graphic Art, Novosibirsk State Art Museum, Novosibirsk, Russia
2008
Consultant, University of Maine, Feasibility Study/Printmaking Studios.
International Reviewer, University of Alberta, Evaluate School of Art and Design.
2007
Juror, Prague International Print Triennial, Prague, Czech, Republic. October
2006
Juror. 5th Lithographic Symposium, Lithografiska Academin, Tidaholm, Sweden.
2005
Curator, student 'Corridor Outdoor Installation', University of Jordan, Amman, Jordan.
Juror. Works on Paper, College of New Jersey, Lawrenceville, NJ.
2004
Grapheion Editorial Board. Graphics magazine, Prague, Czech Republic.
Curator, "Print works from Four Continents,' Southern Graphics International Conference co- chaired by Lynne Allen, Mason Gross Galeries, Rutgers, The State University.
Curator, 'Work by Chuck Close,' Southern Graphics International Conference co-chaired by Lynne Allen, Mason Gross Galleries, Rutgers, The State University of New Jersey
2003
Curator, "RCIPP at the University of North Carolina-Chapel Hill", Hanes Art Gallery, January- February.
2002
Curator, "Resisting Categories: Prints," Gallery of South Orange, South Orange, NJ. April 21-June 9.
Juror, Seventh Delta National Print Exhibition, Arkansas State University, October.
2001
Juror, The 3rd International Print Triennial Inter-Kontakt-Grafik Prague, Czech Republic. October 7- 14.
"Collections Exhibited/Exhibited Collections," Summerfest, Zimmerli Museum of Art, New Brunswick, NJ. June-July, co-curator along with Jeffrey Wechsler, Chief Curator, The Jane Voorhees Zimmerli Museum of Art.
Juror, "Imbedded Image: New Prints from Texas," sponsored by Women & Their Work and Women Printmaker of Austin, Texas.
Juror, New Jersey State Council on the Arts Member Exhibition, Somerville, NJ, October.
2000
Curated, "Printed Identity," Swedish American Historical Museum, Philadelphia, PA.
Juror, "2000 High School Art Achievement Award," Art Administrator of New Jersey.
1998
Juror "International Juried Print Exhibition," Susannah Keith Gallery, Dexter, Michigan.
Juror "New Jersey Printmaking Fellowships," The Printmaking Council of New Jersey
Juror, Educational Testing Services Fellowships, David Brodsky Gallery, Princeton, NJ.
1997
Co-Editor, The Best of Printmaking: An International Collection. Rockport Publishers, MA.
Juror "Transformations," Somerset Art Association, Bedminster, NJ.
Curated "Transition: east/west," Mason Gross School of the Art Galleries, New Brunswick, NJ.
1996
Curated "Diverse Narratives," Hunterdon Art Museum, Clinton, NJ .
1984-88
Contributing Editor, The Tamarind Papers, A Journal of the Fine Print. University of New Mexico Press.
Education
Bryn Mawr College, Bryn Mawr, Pa. 1988. Intensive Russian language course sponsored by the Council for the International Exchange of Scholars, Fulbright Organization.
Master of Fine Arts, University of New Mexico, 1986.
Painting/Printmaking with a minor in Art History.
Master Printer Certification, Tamarind Institute, Albuquerque, NM, 1982.
Master Printer Certification in the Fine Art of Lithography.
Graphic Art Studies, Koninklijke Academie van Beeldende Kunsten, The Hague, The Netherlands. 1975
Master of Art for Teachers, University of Washington, Seattle. 1973.
Bachelor of Science in Art Education, Kutztown University, Pa. 1970


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